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supported by 18 fans who also own “Shadows Etched in Stone”
I'd say Havukruunu is the rightful holder of the Crown and the mantle of Quorthon. Epic choirs, vikingesque themes and tales from the other times, of the Finnish paganism back in the days before our ancestors were brought to the cross and forced to kneel while feeling the bloody sword of saviour on their throats made to kiss the hand of murderers who burnt thousands, tore down our holy places and took our holy days. Eyes teary I listen to these songs, never forgiving the crimes of the cross!
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supported by 17 fans who also own “Shadows Etched in Stone”
Gaerea's first release of "Unsettling Whispers" was in 2018, and since, they dared define a "black metal" niche of their own, they dared to walk a new path and stir shit up a bit in the realm of BM, this album is a masterpiece and a milestone proving that it can be done, provided the band can pull it off, and they did, oh they did! Gloomy, dark, post-BM sludgy whatever, it's Gaerea, and this one belongs in my BC collection, the end.
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supported by 16 fans who also own “Shadows Etched in Stone”
The first 30 seconds of "Revenge by Fire" convinced me to get the whole album! It is a face-melting blend of speed and black metal, reminiscent of Hellripper! KVAEN is a Swedish solo project much like Hellripper but many known guest musicians helped J. Björnfot in his endeavor. Altogether it is really a solid debut album, I loved the melodies and the pace changes in the second half too, ending with a "calm" instrumental one. Well-done!!
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Killer, knotty blackened prog from Norway, full of ferocity and complexity, with blistering guitar leads aplenty.
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Oracular Hexations
by Diabolic Oath
featured on Bandcamp Radio Apr 12, 2024
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Nel Nome Del Codice
by KEYGEN CHURCH
The eerie grandeur of horror film pipe organ music gets an industrial lift on the latest killer from Keygen Church.
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Панихида
by Krzysztof Drabikowski
supported by 15 fans who also own “Shadows Etched in Stone”
La traversée du désert n'aura pas duré quarante jours mais quatre longues années... Avec Панихида, Батюшка renaît enfin de ses cendres et, bien que désormais seul (ou plus exactement entouré de deux chanteurs), Христофор accomplit un miracle. Il s'inscrit dans la continuité de Литоургиiа avec un black metal orthodoxe qui nous convie ici à une cérémonie dédiée aux morts. Sa vision est englobante : les mélodies, la gravité et le silence font toucher le paradis ; l'agressivité est luciférienne.
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